102 Minutes That Changed America
The morning of September 11, 2001 is shown through multiple video cameras in and around New York City, from the moment the first WTC tower is hit until after both towers collapse.
New Zealander Alex Monteith’s open-ended, experimental documentary invites us to consider her images of a Northern Ireland ‘defined by the troubles’, and to listen to the eloquent voices of the troubled.
Chapter and Verse is an experimental documentary that traces the image legacy of Northern Ireland's recent troubles via its contemporary landscapes. The camera roves with fierce curiosity amongst the Orange Order Parades, the raging 11th Night Bonfires of Belfast, the wall paintings of Londonderry, empty border-lands, murder-sites, cemeteries, home interiors, town and city streets whilst exploring how the troubles are both revealed and concealed by the Northern Irish landscape. Interviews with a mix of Northern Irish politicians, religious figures and victims of the troubles, including Rev. Ian Paisley and Bishop Emeritus of 'Derry Edward Daly, combine in a cinematic study of the complex effects of Northern Ireland's conflict history suspended in language.
The morning of September 11, 2001 is shown through multiple video cameras in and around New York City, from the moment the first WTC tower is hit until after both towers collapse.
The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.
A 1963 timelapse recording shows the effects of air pollution during an entire day on Santa Monica Bay in Los Angeles. A machine interpretation of an unstable version of the original file is divided into slits and rearranged in time, giving rise to a time panorama that mirrors an uncertain, abstract future lying ahead of us.
A lyrical portrait of an excommunicated Amish woodworker struggling with spirituality, poverty, and life as an outcast from his strict, insular community.
A meeting between two friends: the cinematographer Caroline Champetier shoots a documentary about cinematographer Bruno Nuytten, making a film about his gesture and the relation between film art and craftwork.
Dreamy images, often in slow motion, stirred or stirring, filmed along the banks of the Seine. Close-ups of water, blurred outdoor shots, shadows and silhouettes of people. A phenomenological portrait of the city, in a joint project with Andrea Emonds, whose voice enhances synesthetic experience.
Mr. McArevey is a visionary headmaster at a Catholic primary school in one of the toughest neighborhoods of Belfast, Northern Ireland. He loves Elvis and teaches his students to connect with their feelings, while taking on the legacies of the “The Troubles.” In this exceptional portrait of a community still healing from trauma, we follow this educator extraordinaire as he uses Ancient Greek wisdom as an antidote for pessimism, violence, and historical despair.
After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.
A documentary film tells the true story of the locals in southern of Thailand through the life of 4 families that live in different provinces, but hand and share their kindness to one another. The reality of their life is arranged into the story disclosing beautiful sides of the southern of Thailand and changing the point of view about the violence that's been happened in the area.
By the early 1980s, after two decades of violence and unrest, the situation in Northern Ireland took a sudden and profound turn inside the infamous Maze Prison. Seeking the right to be treated as political prisoners rather than common criminals, Irish Republicans led by Bobby Sands began a prison hunger strike that would draw international attention to the conflict. In the 66 days that he refused food, Sands would be elected to the British Parliament, put the Irish Republican struggle centre stage on the world news agenda, and pay the ultimate price for his political convictions. The film combines a powerful mosaic of archival materials, reconstructions and the illuminating accounts of former prisoners, commentators and key players in the drama. With Sands's evocative prison diary at its core, the film brings fresh insight to an iconic figure who single-handedly created a transformative moment in Ireland's history that had global aftershocks.
Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.
Over fourteen days in March 1988, a sequence of traumatic events shook Northern Ireland to its core and shocked the world. But it was also 14 days that compelled one man, Redemptorist priest Fr Alec Reid, to find a way out of the deadly cycle of violence.
In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.
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The painful story of Ireland and the Irish people, who struggled for centuries to free themselves from the tyrannical clutches of the British Empire; an epic tale of poverty, hunger, despair, violence and unyielding courage.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
‘Made in the Emerald Isle’ is a modern music documentary that addresses the ongoing struggles faced by Irish musicians in finding success here at home. Irish music and the artists behind it, although world-renowned, in many cases have stepped outside of the country in order to achieve success and notoriety. This documentary will explore the story of the Irish music industry through the eyes of Sam Wickens.
A special live broadcast on both BBC and UTV, hosted by Eamonn Holmes, celebrating the best of Northern Ireland television over the past 60 years and marking the occasion of digital switchover.
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.
The film accompanies Evgeny Mokhorev as he photographs people on the street in St. Petersburg in the tradition of Brassaï. In the next part he shares a deep insight in his way of working with nude models. The film features several series of outstanding and moving photographs by Evgeny Mokhorev about children and teens in St. Petersburg. In between the movie shows further interviews with honoured Art Collector Joseph Baio (Aperture Foundation), Nailya Alexander (Gallerist of Evgeny Mokhorev, New York), Ekaterina Kondranina (Curator, House of Photography, Moscow) and Dr. Irina Tchmyreva (Art Historian, Curator, Moscow).