L'échappée
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A personal documentary essay on war, memory, and family
Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.
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What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.
An NHS nurse of twenty years reflects on a challenging and strenuous career as time dwindles to her retirement.
Uninhibited examination of the legacy of Lebanon’s civil war. A reflection on the destinies of comrades who were once bound by ideologies and remain tightly knit friends. The film travels the chimeric and daunting reality of Lebanon's fractured post-war landscape.
An uplifting insight into the lives of seven-year-old conjoined twins, who weren’t expected to live more than a few days. Cared for by their devoted father, the girls have defied all odds.
A girl mixes fiction with reality while writing a letter to her grandmother.
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.
Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.
Centers around the second half of the Rams' 2023 season, when they come back from Bye Week with a 3-6 record, requiring them to win almost every remaining game.
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
Documentary about Charles Gagnon, Québécois politician, FLQ member and communist leader.
These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?
Some members of the Al-Mawad family (of Palestinian origin) visit their relatives in the town of Kfarshuba in southern Lebanon, which is a few meters away from Palestine. This documentary portrays this journey with its narratives and family adventures.
People who knew R. perceived her as a happy woman. A woman from Brno in her thirties who moved to Sweden together with her Slovak husband, psychiatrist Ivan. In their new home country, the young couple bought a house and had two children. It seemed that R.’s life would continue in a predictable way. As a distraction from the routine, she chose an unusual hobby. She created a male alter-ego and started writing novels for LGBTQ+ audiences. R. was happy but felt empty on the inside. She could only fill it by living out her true self. Things started speeding up and R. began changing. R. is now Marvin. And Marvin is a man.
The death of a Burkinabé family’s patriarch and the division of his estate unearths conflict between his heirs and larger questions about inheritance, belonging and the communal customs of West Africa versus Westernized courts.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
Haja Fatma, a mother to eight children, tells the tale of family life in Tripoli during the Libyan Revolution. Women, young and old, all contributed during these hostile months in their own unique way. A human portal into the acts of ordinary people in their hope for freedom.
For the Frigons, hunting is a family affair that forges and solidifies the bonds between generations. For many autumns, Louis-Henri has been tracking moose alongside Sasha, his grandson. On the other hand, at the dawn of his 81st birthday, old age reminds him that his career as a hunter is behind him. This year, Louis-Henri will not go hunting and Sasha will go without him for the first time. Goodbye, Hunter offers an intimate look at the moment of the passing of a long family tradition.