Hotel Coolgardie
Hotel Coolgardie is a portrait of outback Australia, as experienced by two backpackers who find themselves the latest batch of “fresh meat” to work as barmaids in a remote mining town.
What would it be like to enter into the life of a complete stranger?
Entirely shot on a mobile phone, the film evolved from chance encounters in the streets of London: Sandrine, an attractive young woman on a mission to find a husband, Steve, a seasoned beggar, struggling with addiction and and Steve's girlfriend Precious, a poet. Blurring the confines between fact and fiction. the film raises questions about the relationship between filmed and filmmaker. The closer he gets to his subjects, the more the obstruction of his camera seems to distance him from them. Ultimately People... reveals a personal and humane space that only came into existence precisely because it had been filmed.
Hotel Coolgardie is a portrait of outback Australia, as experienced by two backpackers who find themselves the latest batch of “fresh meat” to work as barmaids in a remote mining town.
Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.
Ingrid becomes obsessed with a social network star named Taylor Sloane who seemingly has a perfect life. But when Ingrid decides to drop everything and move west to be Taylor's friend, her behaviour turns unsettling and dangerous.
Uronchondi is a film about the dream, desires and emotions of three women.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.
Akkaldhamayile Pennu is a Malayalam movie directed by Jairam Kailas released on 20 November 2015. The film is based on a story of a woman gravedigger. The film was produced by Kasim Arikkulam and Ashik Doha under the banner of Pearl Media and Movie Productions. Swetha Menon, Malavika Nair, Vineeth, and Sudheer Karamana had the leading roles.
Harry is a young millionaire on holiday; he takes his yacht to a Greek island, and stays in the mansion of his friend...
A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.
The story takes place on New Year's Eve that a group of friends have been celebrating together for years. The host is the newly divorced psychologist, Aliz, and her guests are her younger brother, Döme, the chemistry teacher, Kristóf, the gynecologist, Gábor, the cook, and Márk, the photographer. They are all childhood best friends. In the meantime, Gábor's wife, Saci, the lawyer, and Márk's girlfriend, Fanni, the young special education teacher joins the group. The topic of the conversation veers in the direction of how nowadays people store many secrets and confidential information on their cell phones, and what kinds of conflicts may arise if the phones fall into unauthorized hands. Each of the seven members of the group insists on not having any secrets, on their lives being an open book, to which Aliz suggests that they should prove it.
Based on the documentary "Our Brand Is Crisis", this feature focuses on the use of American political campaign strategies in South America.
A trio of young women help each other come to terms with death, loss and love during a séance on the roof of their apartment building.
Two friends meet again after many years, in Santiago. One of them, successful, refuses to help the other. But after changing his mind, he realizes that the man always wants more.
During WWII, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town.
Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.
World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.
After eight years apart, three childhood friends - Lucy, Kit, and Mimi - rediscover their friendship on a cross-country trip. With barely a plan, practically no money but plenty of dreams, the girls catch a lift with Mimi's handsome friend Ben in his convertible. Along the way they not only gather experiences that will change their lives, but they also discover how important it is to hold onto their hearts' desires.
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Ju/'hoan women often share an intimate sociability and spend many hours together discussing their lives, enjoying each other's company and children. In this short film, Ju/'hoan women rest, talk and nurse their babies while lying in the shade of a baobab tree. This film is a good illustration of "collective mothering" in which several women support each other and share the nurturing role.
Sure, Elvis was the King, but who was the Queen? The Women Of Rockabilly – Welcome To The Club is a documentary search for the "Female Elvis", as we meet the women of rockabilly music and explore the "what-if’s?" and "what-now’s" of their careers. Brenda Lee, Wanda Jackson, Janis Martin and a sassy cast of lesser but no less colorful pretenders to the throne describe their trailblazing days when they were the embodiment of exuberance, sexuality and defiance in a world that wasn’t quite ready for them. A rockin’ feature documentary by Beth Harrington.