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Zen: The Best of Alan Watts Zen: The Best of Alan Watts 01 Jan 1994
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A memorial anthology of Alan Watt's work. Watts (1915-1973), who held both a master's degree in theology and a doctorate of divinity, is best known as an interpreter of Zen Buddhism in particular, and Indian and Chinese philosophy in general.
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In the heights of the Kurdish mountains between Iran and Iraq, Helia and Sama decide to take up arms clandestinely so they no longer have to endure the violence suffered by Kurdish and by women in Iran. Inside the Komala party’s encampment, they begin their political and military formation...
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Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
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The silent film To Regain by Work is a remarkable filmed colour portrait of the Netherlands just after World War II. Immediately after the liberation of Deventer in April 1945, Alex Roosdorp and his wife Marie Roosdorp-van den Berg began filming the devastation around them: wrecked towns, destroyed infrastructure and flooded landscapes. Roosdorp and his wife travelled hundreds of kilometres by bike to record everything. They filmed extensively in the region around Deventer, but the film also includes footage of Arnhem, Scheveningen, Walcheren and the Wieringermeer polder. The couple had an eye for the small ways in which everyday life continued in the liberated Netherlands.
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Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.