
13 Jan 1991

Sleeping with the Enemy
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.
Luísa
Gabriel
13 Jan 1991
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
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Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.
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There is a mystery there and the answer lies somewhere between Bermuda, Puerto Rico and Miami. Hundreds of boats and planes have disappeared in the ocean with little or no trace at all. Most of these cases can be explained quite easily by human error or bad weather. But there are some that defy all explanation. Theories abound on these causes: Aliens, massive gas eruptions and freak waves. The documentary reveals that the boats and planes face a real danger in a triangle, but the true threat is often as strange as the wildest theory.
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Orson Welles reads the poem especially for this film by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts.
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When their ocean liner capsizes, a group of passengers struggle to survive and escape.