06 Aug 1997
Birth of a Nation
Filmmaker Jonas Mekas films 160 underground film people over four decades.
In the Bathtub of the World
On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.
Top Billed Cast
Amanda Field Self
Abie Hadjitarkhani Self
John Ashbery Self
Similar movies
Birth of a Nation Birth of a Nation Diaries, Notes, and Sketches 
Diaries, Notes, and Sketches 23 Nov 2013
Diaries, Notes, and Sketches
An epic portrait of the New York avant-garde art scene of the 60s.
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty 
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty 05 Nov 2000
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Lost, Lost, Lost 
Lost, Lost, Lost 14 Sep 1976
Lost, Lost, Lost
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
He Stands in a Desert Counting the Seconds of His Life 
He Stands in a Desert Counting the Seconds of His Life 22 Feb 1986
He Stands in a Desert Counting the Seconds of His Life
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
La deuxième femme 
La deuxième femme 30 Nov 2008
La deuxième femme
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Homeo Homeo 15 Nov 1967
Homeo
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
beer cans under my bed 
beer cans under my bed 08 Mar 2024
beer cans under my bed
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
June 
June 31 Dec 2024
June
A letter of love to my past self who discovered himself.
Fale Comigo Verão: O diário de um cineasta amador 
Fale Comigo Verão: O diário de um cineasta amador 15 Jun 2023
Fale Comigo Verão: O diário de um cineasta amador
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
Begins (โผบิน) 
Begins (โผบิน) 01 Sep 2024
Begins (โผบิน)
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
Urute vv 
Urute vv 29 May 2024
Urute vv
An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.
American Teenagers 
American Teenagers 13 Nov 2022
American Teenagers
A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.
Hotel Diaries 
Hotel Diaries 20 Oct 2007
Hotel Diaries
Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine. In these works, which play upon chance and coincidence, hotel rooms are employed as 'found' film sets, where architecture, furnishing and decoration become the means by which the filmmaker’s small adventures are linked to major world events.
Video Album 5: The Thursday People 
Video Album 5: The Thursday People 01 Jan 1987
Video Album 5: The Thursday People
The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life. McDowell was dying from AIDS-related illnesses during the production of the diary. “An elegy for McDowell, the videowork captures Kuchar’s mournful remembrances of his long-lasting friendship with the young filmmaker. But it also has the inquisitive charm, perverse humor, and quirky candor that places Kuchar’s visual expressions in a gritty niche all their own.”
As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento 
As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento 29 Aug 2024
As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento
No overview found
Chromo sud Chromo sud 01 Jan 1968
Chromo sud
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
Eautopsie 
Eautopsie 30 Aug 2024
Eautopsie
An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.
this evening out of boredom washed my hands three times in succession in the bathroom 
this evening out of boredom washed my hands three times in succession in the bathroom 11 Aug 2024
this evening out of boredom washed my hands three times in succession in the bathroom
Reminiscences of a trip to Čáslav
In the Land of Giants and Pygmies 
In the Land of Giants and Pygmies 01 Jan 1925
In the Land of Giants and Pygmies
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.