Same Player Shoots Again
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
Pussy Trash is an ex dancer now invalid that lives with "Grandpa" in their poor home. After finding a video of his youth he will try to find a way to dance again despite his limitations.
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.
Harry is a retired teacher in his 70s who has lived in the Upper West Side of New York City all his life. When his building is torn down to make way for a parking garage, Harry and his beloved cat Tonto begin a journey across the United States — visiting his children, seeing a world he never seemed to have the time to see before, making new friends, and saying goodbye to old friends.
What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.
Denmark, 1755. Captain Ludvig Kahlen sets out to conquer a Danish heath reputed to be uncultivable, with an impossible goal: to establish a colony in the name of the king, in exchange for a royal title. A single-minded ambition that the ruthless lord of the region will relentlessly seek to put down. Kahlen's fate hangs in the balance: will his endevours bring him wealth and honour, or cost him his life...?
After WWII, a Soviet pilot returns to civilian life and struggles in her roles as school principal and mother, and with her memories of the war.
Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.
Zach gets accused for the murder of his girlfriend Mia and decides to relive his memories through a simulation in order to prove his innocence. Soon enough, he obsesses over staying in his recreated memories alongside Mia which eventually proves to be a difficult ambition as an unexpected opponent decides to stand in his way.
Pedro is a simple man. He goes to work, eats dinner and goes out with his wife. But, on an ordinary night, he receives a call that changes his whole perspective in life, unlocking memories that were buried a long time ago.
The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.
Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.
Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.
Luna returns to her childhood home to retrieve old recordings hidden in a closet and to re-live the sense of home that once was. Much to her surprise, she meets the new inhabitant, from who she hides her true intention.
Following a hard break up, Cesar feels nothing. On the day of his 30th birthday, he asks one thing and one thing only, from the people he meets: their testimonial on unconditional love in front of his camera. Throughout his interviews the young artist tries to understand a question that haunts him: how to love?
Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.
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Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.
An old cancer patient reminisces about his youthful days spent at a little place called "Spatterdock".
An experimental film that lifts the veil on the world of African American drag racing.