Aquí estamos
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There's life after deportation.
A long time ago, Ana Laura, Gustavo, and Jesús crossed the border in search of a better opportunity. They worked hard, built a family, and made a life in the United States. Day by day, years after their arbitrary deportations to Mexico, they deal with the grief of being separated from their families. As time goes by, the shattered existence of everyone is slowly and inevitably rebuilt, far away and apart from each other.
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Young people who decide to leave their home to seek opportunities for the future face different difficulties on a daily basis. The inevitable estrangement with family and lifelong friends. The constant lack of understanding, the coldness and individualism of the new city. The stress and even the feeling of being a stranger back home. This journey to the future sets out issues about identity, nostalgia and courage, while they fight to find their place in a changeable world.
Somewhere between documentary and fiction, this is an essay on questions of territory and human displacements made during an excursion from southern Spain to northern Morocco. Travelling on the Mediterranean rim, we hear immigrants tell their stories.
On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.
After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.
In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.
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Between 1942 and 1944 some 24,916 Jews were deported from Belgium to Auschwitz. The roundups and deportations were organized and carried out by the Nazis with the - not always conscious - cooperation of Belgian authorities. The attitude of the authorities here varied from outright resistance to voluntary or unwitting collaboration.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
The story of the children who work 12-14 hour days in the fields without the protection of child labor laws. These children are not toiling in the fields in some far away land. They are working in America.
In this documentary about friendship and perseverance, three young transgender women from El Salvador and Honduras go on a 2,400-mile journey with the high-profile migrant caravan. These women, strangers at the outset and fleeing extortion, discrimination, and abusive relationships, endure hardship as they slowly make their way to the US, teaming up with other trans girls along the route and integrating with the caravan’s LGBTQ community.
The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.
An hour-long portrait of Canadian immigration lawyer, M. Lee Cohen, renowned for his work with refugees. The film follows his representation of Sonya Pecelj and Vladimir Zalipyatskikh. The first case follows a young woman, Sonya Pecelj from Kosovo, who seeks sanctuary for more than a year in a church; the second case follows a Russian sailor who dives off a ship in Halifax Harbour to escape virtual imprisonment by the Russian fish mafia.
Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum.
With the desire to help answer unresolved questions and heal lingering wounds, INAY investigates the flawed immigration pathways between the Philippines and Canada that kept so many Filipino children from their mothers.
Young, inexperienced members of the Dutch Boarder Patrol undergo an intensive training on escorting refused asylum seekers to their homeland.
The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.
The film takes place in three nations: in Switzerland, Cuba and Bosnia. In each of these three countries we accompany persons who dream of a better life elsewhere.
Imad, Nourdine, Walid and Hamza are a group of young Moroccan boys living in a cave under the lighthouse in the Spanish exclave Melilla. They wait for their chance to cross the sea, spending their time with drugs, video calls with their mothers, and filming themselves for YouTube while breaking into the harbor.
The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.