Somniphobia
A doctor with the ability to visit people's dreams helps a young woman confront the terrifying reality of her nightmare
The past, present and future of Hammer Films
A short documentary to celebrate Hammer Films' 89th anniversary. Discover how Hammer has shaped the horror genre, influenced culture, and what the future holds. Featuring insights from new CEO and Chairman John Gore, candid conversations with legendary Hammer Glamour icons Caroline Munro and Madeline Smith, plus contributions from writer and actor Mark Gatiss. Plus, voices of the horror community — from seasoned critics to influential content creators — discuss the indelible mark Hammer Films has made on the genre.
A doctor with the ability to visit people's dreams helps a young woman confront the terrifying reality of her nightmare
A man goes to see a psychologist to explain how an evil creature is responsible for the deaths of his three children.
Dr. Desai is desperate to prove the existence of an afterlife. Unfortunately for one feisty prostitute, Cheri, his obsession will become her nightmare in a battle for survival.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
This documentary film is a celebration of Washington DC, Maryland, and Virginia (DMV) and the Black artists driving music culture forward.
Camilla and her close friends Tiffany and Derrick find themselves falling down a horrific rabbit hole of the supernatural when a strange man shows up at her residence with a very ominous offer.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.
An obsessed alcoholic and his sceptic grandson search the Mourne Mountains for the fabled Banshee.
Linear of Nightmare is a tongue and cheek piece about the pointless of fear. The film is a surreal self-inflicted mental infliction that ultimately leads to its own demise. Fear is worry magnified leading to disconnection between the mind and the body. Fear is just about the worst form of mental activity there is—next to hate, which is deeply self-destructive. Worry is pointless. It is wasted mental energy. It also creates bio-chemical reactions that harm the body, producing everything from indigestion to coronary arrest, and a multitude of things in between.
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Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
Short film about an animal in captivity longing for the outside. An animal that, like us, dreams, is intelligent, curious, social and sensitive, and in whom we can clearly recognise a soul. The piglet in this movie invites us to see the world through his eyes, which will forever change our view on pigs.
A documentary short that follows a 13-year-old girl named Nejmia, who lives in Sana’a and refuses to wear the veil.
A woman encounters an older woman wearing a hospital gown at night.
African men dance, sing and play instruments.
An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)
While watching two children on Halloween night, a babysitter finds an old VHS tape in the kids' trick or treat bag. The tape features three tales of terror, all linked together by a murderous clown.