
01 Jan 1980

Railway Station
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
01 Jan 1980
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
26 Dec 1942
This FitzPatrick Miniature visits the Union of Soviet Socialist Republics (USSR), the largest geographically unbroken political unit in the world, covering one-sixth of the world's land mass.
07 May 1948
A film-within-the-film scenario involving a cameraman who's given a week to photograph the aerial highlights of Holland for a travelogue.
No overview found
09 Jun 2014
Explore over 40 amazing destinations in California, Nevada, Utah, Arizona & Colorado: From San Francisco’s famous Golden Gate Bridge to the pulsating night life of Las Vegas to the breath-taking natural wonders of the Grand Canyon and Yosemite. Filmed in Ultra HD resolution USA 4K – A WEST COAST JOURNEY features spectacular aerial images, time-lapse cinematography and elaborate camerawork.
01 Jan 1974
Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baobab tree.
01 Jan 1982
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
09 Jun 2019
The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.
01 Jan 1969
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
01 Jan 1970
Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.
22 Apr 2024
No overview found
08 Jun 2020
No overview found
03 Jan 2021
No overview found
17 Jun 2024
To the sound of Politicar (Tom Zé) we follow human beings altered by their environment, becoming something new. Through this aesthetic, the short seeks to explore man's stance in relation to his environment and the idiosyncrasies, hypocrisies and positions that come with this interaction.
24 Sep 2020
What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.
01 Jul 2023
An atmospheric and dreamy picture poem from Argentina's vast La Pampa region, where ancient stories of spirits are evoked in dark and evocative images between reality and the beyond.
21 Jun 2010
Filmed in glorious HD over 5 years and in 10 locations, 80 WAVES is a collection of huge waves and big name riders from across the globe. Amongst the culture, wildlife and beautiful scenery of exotic surf spots like Fiji, Hawaii, and Bali.
13 Oct 2010
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
19 Oct 1972
A documentary about the histoy and linguistic ties of the Finno-Ugric, and Samoyedic peoples. Speakers of the Kamassian, Nenets, Khanty, Komi, Mari, and Karelian languages were filmed in their everyday settings in the late 1960s and early 1970s. The footage was shot in Altai Krai, the Nenets Okrug, Khantia-Mansia, Uzbekistan, the Komi Republic, Mari el, Karelia, and Estonia. The first documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum (1970 - 1997)" series.
04 Feb 1978
Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.