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A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.
the emotional rollercoaster journey of a wood cutter when nature is paying back.
A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.
An orphaned raccoon happens to have a unique talent.
one-minute video made by students of the UNA Artes Audiovisuales
A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.
An experimental film about having your great times from high school taken away by a pandemic, resulting in isolation and desperation.
A troubled man returns home for the last time.
An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.
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A man and women have dinner, a steak, and his woman ( second steak) also does.
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Welcome Home.
Created by Antonio Rezza using an auto-timer and edited in the video camera, it describes selfishness and one-sided relationships. The only person who listens to everyone else’s problems ends up sopressing himself before the eyes of his confidantes/ executioners.
Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.
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A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
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The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.