Handycam for Balázs
In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.
A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
A man waits. He longs for and mourns for, his increasingly disconnected and disparate love for a person. Goodbye to Love is an epilogue of a romance, contemplative of a protagonist who meditates on the forking ways his liaisons have left him. Suspended in that final, desperate monochrome moment, Goodbye to Love geometrically traces the evaporating points of a love triangle in three spare, melancholic acts. An elegy to the demise of a feeling, and the longing that permeates
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
This is an amateur student mood piece comprised of footage I've filmed with my Camcorder at uni over the course of the first half of 2023. The prompt given for this was 'belonging' and so I've gravitated it around the premise of navigating a place that you feel as though you don't belong in, to the point where you become detached and alienated from your own identity. - Toby.
Break-up flick.
For a young boy, ordinary facts and things of daily life seem to have great importance.
A husband and wife are locked inside a single hotel room with a stranger named Ploy. Subtle suspicions build up to jealousy as the young woman triggers devastating consequences for the couple.
Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.
A spellbinding journey into the mind of an insomniac, who spends each night haunted by strange and wonderful illusions from another world.
In this experimental short film, a young man and woman enter into a relationship with one another and quickly learn the ups and downs of intertwining their life with the one they love.
When an ocean-fascinated cowboy from the Brazilian backlands discovers that the farm where he has worked all his life will be sold, he abandons everything to, finally, get to know the sea. Guided by an old postcard sent by a long-lost love, he embarks on a quest that will redefine his life.
A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.
Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
A psychological portrait of a disturbed man whose fragmented thoughts and experiences form the framework of an experimental narrative.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.
A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.
A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.