
27 May 2021

Arada
The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.
In Turkey, buses are a cheap, widespread and therefore the most important means of public transportation throughout the country. What the airplane is in America and the train is in Europe, the intercity bus is in Turkey. The documentary takes a trip through Turkey using the common people's means of transport.
Narrator (voice)
Narrator (voice)

27 May 2021

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

16 Apr 2015

Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”

06 Oct 2017

Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.

01 Jan 2020

Dr. Mark Fairchild, world-renowned archaeologist, traces the hidden years of Saint Paul's life in the mountainous Turkish countryside of Rough Cilicia.

24 May 2018

No overview found

08 Apr 2013

Garod means longing in Armenian. Longing for a land that lost its people. Longing for the homeland. Longing for a time that is eternally lost. “Garod” is a story of longing. It is about the lives and the musical stories of two Armenian musicians - a father and his son, Onnik Dinkjian and Ara Dinkjian. It tells the story of the remaking of a musical tradition and life in diaspora, passes through different geographies and countries following the traces of a musical tradition. In this documentary, Garod means not only longing for loss but also remaking of a musical tradition and the life itself.

08 Mar 2016

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.

17 Apr 2019

Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.

21 Apr 2022

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

04 May 2012

February 28 is Deniz Gezmiş's birthday… He would have been 75 years old today; but it only lived for 25 years, and in those 25 years, it had an impact that spanned 75 years. When you have a 25-year-old son, one feels better, what was done to him...

01 Jan 1964

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

01 Jan 1964

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

01 Jan 1964

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.

01 Jan 1964

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

01 Jan 1964

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

01 Jan 1964

Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.

23 Aug 1995

Working, working, working... Here are the words that make up a contemporary Turkish fairy tale. In fact, this fairy tale is not just the story of one person or a family. It is also the story of a country...

04 Jun 1991

The spring of 1950 was also the spring of the multi-party regime in Turkey. A new 10 years, a new regime, a new government. The first test of democracy was beginning. The National Chief of the single-party period had returned to his Pink Mansion. The address of the opposition was clear now. When it comes to power... Power was shared by a tripartite trivet from the first day: DP Group in the Parliament. Celal Bayar in the Mansion and Adnan Menderes in the Prime Ministry..

14 May 1991

The multi-party democratic regime that we take for granted in Turkey today is actually the product of 23 years of struggle and search. From the establishment of the Republic until 1946, three attempts were made to transition from a single party to a multi-party. The first of these was in 1924. Progressive Republican Party came up against the Republican People's Party that ruled the country. However, this period, when a new republic was built in pain, did not allow an oppositional voice to survive. The Progressive Party was closed after six months. Some of the rulers were imprisoned. Some of them were sentenced on death rows in the case of the assassination of Atatürk.The second attempt was made six months later, in 1930, with the Free Party. But the Free Party survived only 97 days.Finally, after another 16 years, the Democrat Party came in 1946 and the one-party regime became history for Turkey, never to return.

28 May 1991

Societies, like people, have turning points in their histories. These milestones sometimes silently and spontaneously knock on the door, and sometimes they explode like a terrifying thunderclap. The year 1950 was such a turning point for Turkey. A simmering social reaction against 27 years of power erupted in the spring of 1950. Society has cracked its quarter-century shell. Not by shedding blood in the streets, but by voting at the ballot boxes. "Demirkırat" was reared by the general vote. That's why the 14 May 1950 elections were always called the "White Revolution"...