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Karaoğlan: He Had Different Dreams

How will history remember him? The honest politician who brought the left to power, the reliable plane tree of the state, the poet who adds elegance to politics? Or is it the stubborn, skeptical, lonely leader who hinders the unity of the left? How many people will remember the legend of Karaoğlan, which was written on the mountains and stones in the milestones of democracy? And how many of them will question the reasons for the rise from the top to the prison, from the prison to the top again, and then to be forgotten at the ballot box? How will Turkey remember a leader who left his mark in the last fifty years, a republican intellectual, the captain of the country's most critical days?

Karaoglan: Farewell

A political adventure that started with a modest membership ceremony in the Çankaya District Building of the CHP in 1954 and ended in 2004, covering exactly 50 years. Bülent Ecevit was the name that left his mark on Turkey's multi-party years. The politics he said goodbye to was his way of life. No politician has ever been written on the mountains and stones like him... No politician has ever been as critical of the future of the left as he was. His name was sometimes referred to as a "divisive" and sometimes "honest politician. Bülent Ecevit was engraved in history as the memory of the multi-party period and as an example of a politician's exit from the ballot box and his exhaustion...

Karaoğlan: Strawberry Blossom

What Ecevit feared had happened to him. Someone blew the whistle and the game was over. The name of the game was democracy. Those who finished the game, that is, those who took on the role of referees, were soldiers... The September 12 administration started by blaming the administrators, that is, the politicians. According to the military, incompetent and uncompromising politicians were responsible for the crisis in the country. Now they would put new rules into the game and this time there would be no old actors on the field. Ecevit's political life, which lasted for 27 years, was ending on the morning of September 12...

Karaoğlan: The Man whose Name Was Written on the Mountains

A political amateur who was kneaded with art in the first half of the 1950s and was enthused with the idealism of politics in the second half, was now a person who was dealing with politics and state affairs 24 hours a day, gradually getting hotter and broadening his goals and horizons. In this section, you will follow the milestones of the poet's hopeful arrival in the 1970s, not a dream that the poet remembers with longing, but is no longer left behind. Contrary to the poem, you will recognize the struggle of a stubborn, belligerent missionary who is incompatible with the world. You will witness how it changed in that struggle and how this change affected a country...

Silence of the Tides

The passage of time is spellbinding in this cinematic tour de force about the Wadden Sea. A film that inhales and exhales along with the tides as it explores the fragile relationship between man and nature.

Die Pelikan-Insel - Geheimnis in Russlands Steppe

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Atatürk: Father of Modern Turkey

Docudrama examining the life of Mustafa Kemal Atatürk, who founded the Republic of Turkey from the ruins of the Ottoman Empire. Monuments to him can be found in every city; the anniversary of his death is commemorated every year; derogatory words about him are punishable by law. Rarely has a politician changed a society so radically in such a short time as Atatürk did Turkey.

My boy, look at the stars

February 28 is Deniz Gezmiş's birthday… He would have been 75 years old today; but it only lived for 25 years, and in those 25 years, it had an impact that spanned 75 years. When you have a 25-year-old son, one feels better, what was done to him...

Cyprus 1974: Landing For Peace

On the 50th anniversary of the Cyprus Peace Operation, TRT World revisits the island's turbulent history and asks: Is there still hope for reconciliation?

The Giant Robber Crab

In the secluded isolation of Christmas Island, crabs have become the guardians of a lush rainforest kingdom. The robber crab is an unruly king, with a meter-wide leg-span and claws that can open a coconut. As we follow the robber’s life cycle, we learn that crabs are much more than creepy crawlies.

Year. Kharkiv Region.

Dmytro Komarov's documentary project The Year. Kharkiv Region. Dmytro Komarov will show Kharkiv in the first months of the full-scale invasion of Ukraine by Russian troops. Viewers will hear the stories of people who found themselves in the epicentre of the brutal attacks: at the air defence base destroyed by a Russian missile, in the residential area of the city - Northern Saltivka - which was ravaged by shelling. The journalist will talk to those who played a key role in the liberation of the Kharkiv region. One of these people is Roman Hryshchuk, the commander of the 127th separate territorial defence brigade of Ukraine. He told us how the military practice of the past - using decoys in the form of dummies - helped to identify and destroy the occupiers. How did the full-scale war begin for Kharkiv? What plans did the enemy have for Kharkiv? What united people and gave them hope in the most difficult times? Find out in the documentary project "Year. Kharkiv Region".

Gaza Fights for Freedom

Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.

It Started with Trees – Revolt in the Gezi Park

Protesters diary from Gezi Park - Taksim Square, Istanbul. Occupy Gezi movement started when the government decided to build shopping mall in place of the last green area that remained in the middle of Taksim Square.

Echoes of Us

87-year-old Greek immigrant Koula Agiostratitis recounts how her husband Theo’s dementia diagnosis affected their six-decade-long marriage. Through Koula and her daughters, Vivian and Phyllis, we witness how their once music-filled home is transformed by what the family describes as “the longest goodbye.” This intimate portrait of love, caregiving and cultural duty reflects on how memory loss reverberates beyond the individual to reshape the fabric of family and culture.

Well

In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones

Byzance

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

Istanbul

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Maître Galip

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.

Golden Horn

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Pehlivan

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

Attila 74: The Rape of Cyprus

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