10 Jul 1969
Bambi Meets Godzilla
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Celery Stalks at Midnight
Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
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Bambi Meets Godzilla Bambi Meets Godzilla Study No. 6 
Study No. 6 01 Oct 1930
Study No. 6
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
Andrey Svislotskiy 
Andrey Svislotskiy 01 Jan 1991
Andrey Svislotskiy
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
Five Film Exercises: Film 1 
Five Film Exercises: Film 1 21 Dec 1943
Five Film Exercises: Film 1
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
The Music Room 
The Music Room 10 Oct 1958
The Music Room
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Five Film Exercises: Film 2-3 Five Film Exercises: Film 2-3 09 Feb 1944
Five Film Exercises: Film 2-3
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
A Grand Day Out 
A Grand Day Out 18 May 1990
A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The Wrong Trousers 
The Wrong Trousers 17 Dec 1993
The Wrong Trousers
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
A Close Shave 
A Close Shave 07 Mar 1996
A Close Shave
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Five Film Exercises: Film 4 Five Film Exercises: Film 4 15 May 1944
Five Film Exercises: Film 4
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
Asparagus 
Asparagus 17 Mar 1979
Asparagus
A symbolic reflection on issues of female sexuality, art and identity constructs.
The Cow Who Wanted To Be a Hamburger 
The Cow Who Wanted To Be a Hamburger 12 Mar 2010
The Cow Who Wanted To Be a Hamburger
A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.
The Sun's Gonna Shine 
The Sun's Gonna Shine 02 Jan 1969
The Sun's Gonna Shine
A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.
Wat's Pig 
Wat's Pig 10 Apr 1996
Wat's Pig
In a Medieval castle, a marauder tries to kidnap the twin infant sons of the lord. He makes off with only one, whom he drops about a mile away. A pig rescues this baby, so one brother grows up high on the hog, the other down with the swine; one is lazy, his lost brother is industrious. Years later, when a neighboring prince declares war, the brother in the castle is too soft to fight. Through happenstance, the twins are united just before the final battle. Will the upper-class brother let his humble sibling lead the troops to certain defeat and death? Preserved by the Academy Film Archive.
Adam 
Adam 05 Oct 1992
Adam
The hand of God fashions Adam out of the clay of Earth and places him on a small and empty planet. Each of Adam's actions - at first he can't stand up, then he barks like a dog, then he sleeps - requires God's intervention. After Adam discovers how small the planet is, how little there is to do, and God's unwillingness to let him leave the Earth, he is depressed, lonely and disconsolate. So God asks Adam's patience for a few minutes while He fashions a companion for Adam. Adam is delighted: he dons a bow tie, uses mouthwash, and finds a bouquet of flowers. Is God thinking what Adam is thinking? Preserved by the Academy Film Archive.
Closed Mondays 
Closed Mondays 01 Oct 1974
Closed Mondays
A man visiting a museum sees the works of art come to life.
Guard Dog 
Guard Dog 14 Oct 2004
Guard Dog
Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question. Preserved by the Academy Film Archive.
Moon Breath Beat 
Moon Breath Beat 31 Dec 1980
Moon Breath Beat
Moon Breath Beat is a hand-drawn experimental 2D film that depicts a woman and her two cats and how external forces such as birds and the moon impact their lives. Preserved by the Academy Film Archive in 2016.
An American March An American March 01 Jan 1941
An American March
Stars and stripes forever and ever and ever. Preserved by the Academy Film Archive in 2000.
Moonbird 
Moonbird 29 Jan 1959
Moonbird
Two boys go outside at night to capture a bird. Preserved by the Academy Film Archive in 2003.