17 Mar 1979
Asparagus
A symbolic reflection on issues of female sexuality, art and identity constructs.
The Story of Hansel and Gretel
Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.
Top Billed Cast
Hugh Douglas Narrator (voice)
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Asparagus Asparagus A Christmas Gift 
A Christmas Gift 22 Dec 1980
A Christmas Gift
On Christmas Eve, a lonely young boy, shut out from the shiny world of presents and holiday parties, peers into a candlelit window, where a gray-haired lady sits sadly at a bare table. Taking the last bit of bread and cheese from his pocket and adding wine, they share this meager Christmas dinner together. Preserved by the Academy Film Archive in 2012.
Film for Log Hill Dogs: The Log Hill Story 
Film for Log Hill Dogs: The Log Hill Story 01 Jan 1976
Film for Log Hill Dogs: The Log Hill Story
Constantly changing forms, a plains landscape. One of two films based on David and Diana's life in their house in Colorado, which had just burned down. Preserved by the Academy Film Archive in 2008.
The Story of Little Red Riding Hood 
The Story of Little Red Riding Hood 29 Jan 1949
The Story of Little Red Riding Hood
A classic tale retold with Harryhausen's trademark animation. Preserved by the Academy Film Archive in 2004.
Five Film Exercises: Film 1 
Five Film Exercises: Film 1 21 Dec 1943
Five Film Exercises: Film 1
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
Nursery Rhyme Review 
Nursery Rhyme Review 03 Feb 1946
Nursery Rhyme Review
A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
Bambi Meets Godzilla 
Bambi Meets Godzilla 10 Jul 1969
Bambi Meets Godzilla
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Phases 
Phases 01 Jan 1977
Phases
A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.
Closed Mondays 
Closed Mondays 01 Oct 1974
Closed Mondays
A man visiting a museum sees the works of art come to life.
Mutoscope Reels 
Mutoscope Reels 01 Jan 1945
Mutoscope Reels
An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
Moonbird 
Moonbird 29 Jan 1959
Moonbird
Two boys go outside at night to capture a bird. Preserved by the Academy Film Archive in 2003.
Logos 
Logos 07 Jul 1957
Logos
Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in North America, Europe, and Latin America. The animated film featured an electronic score by Henry Jacobs. Preserved by the Academy Film Archive in 2001.
Five Film Exercises: Film 2-3 Five Film Exercises: Film 2-3 09 Feb 1944
Five Film Exercises: Film 2-3
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
A Grand Day Out 
A Grand Day Out 18 May 1990
A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The Wrong Trousers 
The Wrong Trousers 17 Dec 1993
The Wrong Trousers
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
A Close Shave 
A Close Shave 07 Mar 1996
A Close Shave
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Andrey Svislotskiy 
Andrey Svislotskiy 01 Jan 1991
Andrey Svislotskiy
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
Legacy: A Very Short History of Natural Resources 
Legacy: A Very Short History of Natural Resources 17 Dec 1979
Legacy: A Very Short History of Natural Resources
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
Adam 
Adam 05 Oct 1992
Adam
The hand of God fashions Adam out of the clay of Earth and places him on a small and empty planet. Each of Adam's actions - at first he can't stand up, then he barks like a dog, then he sleeps - requires God's intervention. After Adam discovers how small the planet is, how little there is to do, and God's unwillingness to let him leave the Earth, he is depressed, lonely and disconsolate. So God asks Adam's patience for a few minutes while He fashions a companion for Adam. Adam is delighted: he dons a bow tie, uses mouthwash, and finds a bouquet of flowers. Is God thinking what Adam is thinking? Preserved by the Academy Film Archive.
Anijam Anijam 01 Jan 1984
Anijam
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.