A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.
Unidentified Farm Objects and paranormal sightings are the norm with Shaun the Sheep™ and his barnyard buddies Bitzer, Shirley, and Timmy, as they encounter more madcap mischief along with those Naughty Pigs next door. Big laughs are evident, as the creators of the Academy Award®-winning Wallace & Gromit™ are out to prove that sheepherding fun is universal.
Story about how the plasticine heroes "Any" and "How" paint factorys fence. The film makes fun of slackers and bungler.
Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.
A little boy pulls out one Martian toy from a vending machine and it turns into a real alien who takes him to his planet, where he is surronded by the toys from the vending machine, but much bigger.
When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her.
Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
Traditional clay-mation and stop-motion animated film.
A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
The first instalment of the creepy horror anthology claymation series "Spook Train."
An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.
A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.
"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.