18 May 1990
A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Keep Cool
An animation (long before there were such things) for Oscar Brown Jr’s track “But I Was Cool”, from his 1961 debut album Sin & Soul. Preserved by the Academy Film Archive in 2012.
Top Billed Cast
Oscar Brown Jr.
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A Grand Day Out A Grand Day Out The Wrong Trousers 
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Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
A Close Shave 
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Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Nursery Rhyme Review 
Nursery Rhyme Review 03 Feb 1946
Nursery Rhyme Review
A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
The Story of Hansel and Gretel 
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The Story of Hansel and Gretel
Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.
The Story of Little Red Riding Hood 
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A classic tale retold with Harryhausen's trademark animation. Preserved by the Academy Film Archive in 2004.
Five Film Exercises: Film 2-3 Five Film Exercises: Film 2-3 09 Feb 1944
Five Film Exercises: Film 2-3
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
Five Film Exercises: Film 1 
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Five Film Exercises: Film 1
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
The Story of King Midas 
The Story of King Midas 01 Jan 1953
The Story of King Midas
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
Phases 
Phases 01 Jan 1977
Phases
A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.
Seepage 
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Seepage
"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.
Study No. 6 
Study No. 6 01 Oct 1930
Study No. 6
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
Tube Tales 
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An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.
Bambi Meets Godzilla 
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Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Celery Stalks at Midnight 
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Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
The Creation The Creation 13 Jul 1981
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The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.
A Doonesbury Special 
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A Doonesbury Special
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Andrey Svislotskiy 
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This animated short focuses on the lives of three eccentric people living on a farm in the Russian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
Asparagus 
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A symbolic reflection on issues of female sexuality, art and identity constructs.
Odalisque 
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Odalisque
"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others." Preserved by the Academy Film Archive in 2017.