10 Jul 1969
Bambi Meets Godzilla
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Five Film Exercises: Film 5
Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.
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Bambi Meets Godzilla Bambi Meets Godzilla Study No. 6 
Study No. 6 01 Oct 1930
Study No. 6
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
A Grand Day Out 
A Grand Day Out 18 May 1990
A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The Wrong Trousers 
The Wrong Trousers 17 Dec 1993
The Wrong Trousers
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
A Close Shave 
A Close Shave 07 Mar 1996
A Close Shave
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Asparagus 
Asparagus 17 Mar 1979
Asparagus
A symbolic reflection on issues of female sexuality, art and identity constructs.
Anijam Anijam 01 Jan 1984
Anijam
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.
Mutoscope Reels 
Mutoscope Reels 01 Jan 1945
Mutoscope Reels
An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
Andrey Svislotskiy 
Andrey Svislotskiy 01 Jan 1991
Andrey Svislotskiy
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
Legacy: A Very Short History of Natural Resources 
Legacy: A Very Short History of Natural Resources 17 Dec 1979
Legacy: A Very Short History of Natural Resources
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
Mountain Music 
Mountain Music 01 Jan 1976
Mountain Music
Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.
Shapes and Gestures 
Shapes and Gestures 17 Mar 1977
Shapes and Gestures
Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.
The Tune 
The Tune 04 Sep 1992
The Tune
Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart. Preserved by the Academy Film Archive in 2016.
Five Film Exercises: Film 4 
Five Film Exercises: Film 4 15 May 1944
Five Film Exercises: Film 4
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
Why Man Creates 
Why Man Creates 24 Sep 1968
Why Man Creates
A 1968 animation/documentary that criticises the industrial system. Preserved by the Academy Film Archive.
Moonbird 
Moonbird 29 Jan 1959
Moonbird
Two boys go outside at night to capture a bird. Preserved by the Academy Film Archive in 2003.
Along the Moonbeam Trail 
Along the Moonbeam Trail 01 Jan 1920
Along the Moonbeam Trail
A magic aeroplane takes two children to the Moon, where they encounter prehistoric monsters and witness a battle between them. As far as is known this was the first film to combine realistic stop-motion dinosaurs and live-action actors in the same shot. Preserved by the Academy Film Archive in 2008.
Cat's Cradle 
Cat's Cradle 01 Jan 1959
Cat's Cradle
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.
Eye Myth 
Eye Myth 28 Aug 1967
Eye Myth
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.
Adam 
Adam 05 Oct 1992
Adam
The hand of God fashions Adam out of the clay of Earth and places him on a small and empty planet. Each of Adam's actions - at first he can't stand up, then he barks like a dog, then he sleeps - requires God's intervention. After Adam discovers how small the planet is, how little there is to do, and God's unwillingness to let him leave the Earth, he is depressed, lonely and disconsolate. So God asks Adam's patience for a few minutes while He fashions a companion for Adam. Adam is delighted: he dons a bow tie, uses mouthwash, and finds a bouquet of flowers. Is God thinking what Adam is thinking? Preserved by the Academy Film Archive.