Jet Boy
A coming-of-age story of a reluctant 13-year-old hustler named Nathan who will do whatever it takes to feel loved.
Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.
A coming-of-age story of a reluctant 13-year-old hustler named Nathan who will do whatever it takes to feel loved.
Lena is seven months pregnant and she's ready to sell the baby in her belly. Ermanno agrees to pretend to be the father. Fabio, the uncle of Ermanno, will pay them to buy the child that he and his wife Bianca cannot have. A fake adoption between relatives, a loophole to bypass the law in Italy. A world in which money is the only standard of value, the only thing that matters. Ermanno and Lena are two strangers that must pretend in public to be a couple and live together until the delivery. They are used to only thinking about themselves and they fight all the time. But living side by side they start becoming what they were only pretending to be.
In the heady days of the 1968 Prague Spring, a group of Czechoslovak Radio journalists risk not just their careers but their lives to distribute independent news amidst national and regional tumult. Orphaned brothers Tomáš and Pája are caught in the struggle for freedom. The elder, Tomáš, is a radio technician working at the station committed to defying the Communist Party’s censorship, overwhelming propaganda, and police harassment. When security forces pressure him to spy for them, Tomáš finds himself in a bind where he has to choose between betraying his colleagues or protecting Pája.
Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.
A young boy and his family set off on a sailing trip of a lifetime until a violent storm erupts, sweeping Michael and his dog overboard. After washing up on a remote island, terrified, they struggle to survive and adjust to life alone, One day, Michael discovers he is not alone when he is confronted by a mysterious Japanese man who has lived there secretly since World War II, angry that Michael has arrived. However, as dangerous invaders threaten their fragile island paradise, Michael and the old man, Kensuke, join forces to save their secret world.
A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
Opera at La Scala Milan
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
In this adaptation of the satirical British novel, Flora Poste, a plucky London society girl orphaned at age 19, finds a new home with some rough relatives, the Starkadders of Cold Comfort Farm. With a take-charge attitude and some encouragement from her mischievous friend, Mary, Flora changes the Starkadders' lives forever when she settles into their rustic estate, bringing the backward clan up to date and finding inspiration for her novel in the process.
Franz Woyzeck, a lowly soldier stationed in a mid-nineteenth century provincial German town, is the father of an illegitimate child by his mistress Marie.
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles. Louis Quilico was never quite in that league, and he sounds a bit spread and woofy in places here, but he works hard and effectively to bring Rodrigo to life. Placido Domingo recorded his first Don Carlo, for EMI with Giulini, about 15 years before this production, but he looks and sounds fine here -- in the early 1980's he was doing very good Otellos and Lohengrins too, and Furlanetto, still in his 30's, brings a rich, young voice to an old part and succeeds in making the Grand Inquisitor vocally as well as expressively formidable. Levine brings both weight and energy to the score, and that reading fits well with the overall "traditional" design and production -- the Met's wardrobe budget must have been severely taxed, but everybody looks splendid.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
Many years after the atomic bombing of Hiroshima, the survivors (called hibakusha in Japanese) are still physically and emotionally devastated by the event. Kuroi Ame ni Utarete tells the interlocking stories of a group of survivors who frequent Stand Akauma, a bar: Takeshi, who lost his entire family; Tomoko, a prostitute horribly burned in the bombing; her younger brother Junji, who scrabbles on the fringes of society; Eiko, a pregnant young woman whom he loves; and Yuri, another prostitute who is determined to secure a brighter future for her blind son.
While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.
Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.
The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. But when Don Giovanni commits murder, he unleashes a dark power beyond his control. Kasper Holten’s production is rich in both colourful comedy and exhilarating drama. Set designs by Es Devlin (Les Troyens) and costume designs by Anja Vang Kragh (Stella McCartney, John Galliano for Christian Dior), with video projections by Luke Halls and choreography by Signe Fabricius, portray the visually entrancing world of Don Giovanni. At the heart of the production are the beauty and invention of Mozart’s dazzling score, which ranges from gorgeous arias and dramatic duets to the brilliant layering of dance melodies that bring Act I to a virtuoso close.
Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.