
12 May 2022

Halim El Raâd
Halim, a young man with intellectual disability, who's living with his single mother that struggles to take care of him
Like every year in Zitouna, a bear handler passes by. With his creature, he comes to challenge the small community. And like every year, it is Slimane El Mabrouk who defends the honor of the tribe. But this time, he dies, leaving two orphans, Omar and Ourida. Robbed of their inheritance, the children will grow up alone. The years pass, the French army settles in, and with it, the war. Mysteriously, one day, after the murder of a French legionnaire, Omar disappears into the bush, while his sister dies in childbirth. Omar will return to the village, much later, once independence has been acquired, as a representative of power and with this enigmatic formula: "You must know that the Revolution has not forgotten you". Personal revenge? Sincere desire to bring progress and modernity? ... The inhabitants of Zitouna, upset in their ancestral way of life, will not be long in having an answer to their questions.
Omar El Mabrouk
Ali Ben Saad
Georgeaud
Le lieutenant français
Martial
Le Facteur
Le joueur de Bonneteau
Mohamed, le maire
Aïssa, le boiteux
Moulay, le boucher
Loulou
Ourida
La secrétaire d'Oumar
Suzanne, la folle
Akli
Le Narrateur
Paulo, le légionnaire
La Grande
L'Imam
Djamel, le jeune avocat
12 May 2022
Halim, a young man with intellectual disability, who's living with his single mother that struggles to take care of him
27 Nov 1916
Gabrielle Picard (Elda Hall) and Pierre Dupont (Rupert Julian) are lovers in a small French village in the early 1870s; Gabrielle's brother Anatole (Kingsley Benedict) is Pierre's best friend. The two young men are called to service by their country and go to Algiers. Anatole becomes the bugler and one day when he is commanded to sound the retreat, he sounds for the troops to charge instead. Anatole becomes a hero because of his action, but when the two men make their victorious return home, they find the Picard home ransacked and Gabrielle gone.
19 Apr 2023
1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?
31 May 2017
After a bad breakup, a college-aged Parisian moves into her father's flat only to discover that he is living with his new girlfriend - a young woman her age.
26 Jan 2019
No overview found
02 Jan 1975
Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga
01 Jan 1989
Long quest for a director specializing in commissioned films, who after a depression rediscovers his loved ones, his Casbah district, himself. Taken in hand, for a while, by his Islamist neighbor, it is above all the meeting with an old projectionist giving him a censored history of cinema and Algeria, which helps him to change, and to accept his own fantasies, embodied by Marilyn Monroe and the Andalusian.
02 Jan 1961
No overview found
01 Jan 1977
Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.
28 Jan 1937
Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.
01 Jun 1994
As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.
13 Sep 2006
Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.
10 Oct 1960
A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.
11 Apr 1962
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
01 Oct 2008
In 1895, young journalist Albertine Auclair arrives in the Kabylie during a family visit. The beauty of the region seduces her but she soon learns of the struggles of the native Algerians. She hears in particular about Arezki El Bachir, who was recently sentenced to death by the colonial justice system, and decides to find out more about this extraordinary man.
12 May 1991
Djamel and his deaf-mute companion Karim, both of North African origin, live in the middle of the materials they collect in their suburb. One evening Djamel rescues Claude, a young student who has been raped, and falls in love with her. They share a few moments of happiness despite the jealousy of Najet, in love with Djamel. Thus, they wake up together. But this budding love is soon broken by the differences that separate Djamel and Claude. This one sees itself taking back by force the chainette which he had offered to her. Shortly after, the young Maghrebi dies, victim of racism...
02 Jan 1958
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
02 Jan 1985
Two deaf and dumb children. She is the daughter of an American Oil engineer. He is the son of an Algerian farmer. They meet and manage to communicate, transcending all the cultural barriers that separate them.
17 Nov 2005
At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.
27 Feb 1983
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.