The Movement of People Working
A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.
A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.
Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.
formula, a constantly evolving work updated with each presentation, is a perfect synchronisation between sound frequencies and the movements on the screen. It places the viewer in a binary geometry of space and exploits the darkness to amplify one's perceptions. There is a complete integration of the various elements, composing music, images, lighting and orchestrating the relationships between them through a highly precise score.
Naked bodies are buffeted by water accompanied by the music Il Temporale from the opera La Cenerentola and the overture to Il Barbiere di Siviglia both by Gioacchino Rossini.
3 minute experimental film.
10 minute experimental film. Warning: this video involves frequent strobing.
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
A documentary that explores the challenges that a life in music can bring.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
3 minute experimental film.
6 minute experimental film.
20 minute experimental film.
7 minute experimental film.
1 minute experimental film.
4 minute experimental film.
Perception becomes reality, forcing reality to lose perception, crash, and burn.
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."