Mimezrane
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Maria-Pilar is the new wife of an Algerian gangster whom the police have just arrested. The son of a first marriage arrives in Algiers from which he has remained far away for a long time. His stepmother, charmed by the teenager, gradually experiences a devouring passion, against which Michel tries in vain to fight: he loves a young girl, Sylvie. Mad with jealousy, his stepmother singles him out for his father's vengeance by distorting the truth. Michel does not escape his father's fury, but when the woman's deception becomes known, Maria-Pilar is strangled to death.
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A former couple remembers their most intimate days, only to part once again. A bittersweet love story inspired by a Jim Jarmusch masterpiece, set in times of the COVID-19 pandemic.
A boy's love for his closeted bully drives him into an unconventional road to confession and its consequences.
In Montreal, twentysomething Léo delivers pizza and gets drunk, and that’s pretty much it. He’s alone and he’s sad, and doing nothing about it … until he meets Rita, a sweet-natured musician who thinks he might be a keeper. The thing is, Léo is already taken; he’s just been targeted by an alien who preys on Montreal’s lonely and alienated men and doesn’t much care if Léo’s luck has turned.
Twenty-year-old Matsuri Takabayashi learns that she only has ten years to live due to an incurable disease. She decides to not dwell on her life and not to fall in love – until she meets a man named Kazuto Manabe at a school reunion.
Mustapha, a cab driver in Paris, charges a customer in a hurry, without realizing that he is in a hurry to escape his pursuers after robbing a jewelry store. The next day, reading the newspapers, Mustapha becomes aware of the role he has played in this affair, and would gladly assist the police if a fortuitous incident didn't make him fear the criminals' vengeance. It's a cruel dilemma in which he is both suspected by some and threatened by others. Weak but honest, he manages to get out of this predicament at the risk of his life!
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A moody love story featuring a cat and mouse. Even if we are lucky enough to love and be loved, deep down we remain a bit lonely. The film talks about how dearly we have to pay for our inability to endure this loneliness. About the fact that we must take care of love carefully, because returning to a loved one may prove impossible, even if there is a glowing longing on both sides. A broken diamond can no longer be glued together.
Natsume Mochizuki works as a teen model in Tokyo, but she learns that she has to move to her father's hometown of Ukigumo. She is in a desperate situation because she can't do the things she wants to do in Ukigumo. One day, she meets Koichiro Hasegawa. He is the successor of the Hasegawa family. His family is wealthy and is respected in the area. Natsume Mochizuki and Koichiro Hasegawa become attracted to each other, but something changes their fate.
Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.
Recognizing no boundaries to her love, Angele manages to foment riots, rages and tragedy in colonial Algeria. Angele, an Algerian colonist with impeccably French origins, has fallen in love with Said, the assistant in her brother-in-law's bakery shop. Said is conscious of his Arab origins and traditions, and Angele has her work cut out for her if she wants to persuade him to marry her. Once she does, all hell breaks loose, as neither her European-origin peers nor Said's conservative Arab family approve of the union. When word of the proposed marriage gets out, strikes, violence and murder quickly follow, ruining not only Angele's life, but the lives of those around her. Her brother-in-law Paco, meanwhile, has been doggedly trying to get along and raise his family in an increasingly chaotic and difficult situation.
Social drama about Algerian immigrant workers who came searching for work in France.
An ensemble piece set in a North African neighbourhood in Toulon.
Ajay and Ketaki decide to get married in court after the constant clashes of egos between their respective families. Things complicate after their routine lives take a toll on their relationship.
An old man about to die gives all his fortune to a young beggar he meets in an Arabian town. He takes him to his house (now the poor man's property) and he strongly advises him not to open one of the doors, the seventh door. "I could throw the key into the sea" says the young lad" No use, you'd dive to get it back". The young man is curious and he cannot resist temptation: he opens the forbidden door. A strange world is waiting for him where a girl, Leila, will be his guide .
Directed by Abdelaziz Tolbi.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
Risto, a zombie loses his burial plot and to reclaim it he must get a job in a factory. His former lover Sanna also works at the same place.
On November 1, 1954, near Ghassira, a small village lost in the Aurès, a couple of French teachers and an Algerian boss were the first civilian victims of a seven-year war which would lead to the independence of Algeria. More than fifty years later, Malek Bensmaïl returns to this Chaoui village, which has become “the cradle of the Algerian revolution”, to film, throughout the seasons, its inhabitants, its school and its children.