Night Witches
Documentary about the female fighter pilots in the 588th Night Bomber Regiment of the Soviet Union. In small planes made out of plywood and canvas they risked their lives every night during the last part of the second world war.
A documentary about women in the Indonesian DIY hardcore/punk scene, including interviews with musicians, photographers, and zine-makers.
Documentary about the female fighter pilots in the 588th Night Bomber Regiment of the Soviet Union. In small planes made out of plywood and canvas they risked their lives every night during the last part of the second world war.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
The hairdressing salon “Saïda” is a space where people speak openly, laugh and argue. The subject rarely is hair. In the run-up to the presidential elections in Tunisia the shop turns into a political arena where the women – young or old, conservative or with a modern outlook – indulge in discussions about the pros and cons of the candidates. Their clever and witty statements reflect a young democracy with all its rifts and fault lines.
Radical feminist Andrea Dworkin's expose on the pornography industry.
The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.
"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
Directed by Hugo Conim and Miguel Newton, "Enterrado na Loucura – Punk em Portugal 78-88 - A 2ª Vaga" (“Buried in Insanity – Punk in Portugal 78-88 – The second wave”), continues a history that started to be told in “A Um passo da Loucura - A 1ª Vaga" (“One Step from Insanity – The first wave”) a documentary first screened in 2015. The two documentaries are a faithful and realistic portrait of the first decade of Punk in Portugal. This second documentary starts in 1982 with the birth of a second wave – more combative and involved with the punk scene - of Portuguese punk bands like ‘Crise Total’, ‘Grito Final’, ‘Kú-de-Judas’, Mata-Ratos or Peste & Sida and ends around 1988. The history is told not only by the musicians but also by anonymous punk’s or even concerned parents. It’s an interesting narration that evolves around music but also around aesthetical, political, educational, legal and ethical dimensions of Punk.
That documentary helps to shape consciousness about sexism and violence against women.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Measure Twice, Cut Once is a fun-filled building adventure that is centered around a tree fort building project, featuring six young men (ages 16 and under) tackling the adventure of constructing their own tree fort, and in the process teaching important carpentry skills.
No overview found
This documentary goes back to the turn of the century to show how women shaped the nation’s history.
Stories of maniac sailors, anarchist castaways, and the voyage of the S/V Pestilence: a video zine three friends and I made about finding a derelict sailboat, fixing it up, and sailing from Florida to Haiti.
Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.