Land of Plenty
After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.
An existential comedy about a neurotic film director whose fears of failure, death and losing control all surface on the night his new film is released - a hysterical unforgettable night at least for him his band of eccentric friends.
After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.
In the post-apocalypse, a Canadian documentary crew sent by their Government traverses the remnants of the United States, looking for any sign of life. Meanwhile, their anthropological assignment has been turned into a meandering reality show by their host and director, trying to be contained by their disgruntled producer. Slowly but surely, they run into life, though in a condition they could have never expected. (This is a teaser short for a potential series)
Yoram, a 50-year-old veterinarian living in Tel-Aviv, is forced to re-examine his relationship with his adolescent daughter Roni, after she wishes to end her life. He decides to take her on a journey to visit her mother’s family, a process of self and mutual discovery in a primordial desert land enveloping the Dead Sea.
A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn that the only way to break the curse put upon them is to kill the one who started it all.
Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.
Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.
The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.
Cast and crew from A Nightmare on Elm Street are terrorized by Freddy Krueger and his razor-fingered glove as he crosses over into the real world.
A political thriller that unfolds during the British Mandate in 1930s Tel Aviv, following two British police officers, Thomas Wilkin and Geoffrey Morton, in their hunt for poet and Zionist activist Avraham Stern, who is plotting to evict British authorities.
Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.
Ajami is an area of Tel Aviv in Israel where Arabs, Palestinians, Jews and Christians live together in a tense atmosphere. Omar, an Israeli Arab, struggles to save his family from a gang of extortionists. He also courts a beautiful Christian girl: Hadir. Malek, an illegal Palestinian worker, tries to collect enough money to pay for his mother's operation. Dando, an Israeli cop, does his utmost to find his missing brother who may have been killed by Palestinians.
Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.
When her estranged mother falls into a coma, a self-made single mom grapples with regret and resentment while reflecting on their strained relationship.
Galaxina is a lifelike, voluptuous android who is assigned to oversee the operations of an intergalactic Space Police cruiser captained by incompetent Cornelius Butt. When a mission requires the ship's crew to be placed in suspended animation for decades, Galaxina finds herself alone for many years, developing emotions and falling in love with the ship's pilot, Thor.
Jack recounts his latest filmmaking failure in a way that blurs the line of fiction and non-fiction...
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Seven independent filmmakers in San Antonio, Texas share a house together and attempt to follow their dreams.