22 Sep 1925
The Phantom of the Opera
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
The Binocle
After the famous story by Louis Couperus
A short film based on the short story "De Binocle" by Dutch writer Louis Couperus. It tells the story of a nervous man who on one evening while going to the opera becomes the victim of his own obsessive thoughts.
Top Billed Cast
Dion Vincken Protagonist
Julien Croiset Shopkeeper
Ingeborg Ansing Lady
Edgard Geurink Attendant
Arnoud Cambier Bald man
Leonore Tismeer Wife of bald man
Ruth Borg Victim
Jacob Bisschops Man in theatre
Ulrica de la Mar Woman in theatre
Alwin Kloekhorst Player Opera
Maaike Damen Player Opera
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7 1/2 Women 
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The Diary of a Husband 
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Jonás and Raquel live in the field. Their life is happy and in harmony with the envoronment. One day, Néstor, Jonás's brother, visit them. He's captain in a fishing boat that has docked in a near village. Néstor told her brother the wonderful life in the sea, all money that he has won and the adventures that he has lived. Jonas decides go with him although Raquel doesn't accord. Comic book adaptation "Poor Sailor " by Sammy Harkham.
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Teresa is a spirited young girl chafing under the oppressive attitudes of 1930s society, and her father in particular. She fancies her poverty-stricken Latin tutor Johnathan Crow, without realising he merely considers her a pleasant diversion and nothing more, and eventually follows him from Sydney to London. En route she meets the gentle banker James Quick. Whilst navigating her relationships in London, including with a political poet bound for the Spanish Civil War, she experiences a transformation in her understanding of love. Based upon Christina Stead's best-selling Australian novel.
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Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.