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The Natural Son

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

Pola X

A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.

Little Women

Four sisters come of age in America in the aftermath of the Civil War.

The Wall

An adaptation of the J.P. Sartre story "Le Mur". What goes on in his mind and what happens outside when he has left only few more hours left to live. The existential dilemmas of a prisoner condemned to death from a repressive regime for his participation in a resistance movement and his friendship with the leader of this resistance. When all seems lost and he has already given up the most unlikely coincidence changes the course of events and his life.

The Witty Bus Girl

09 Feb 1966

The Witty Bus Girl

Industrialist Tam Kar-cheung knowingly puts the lives of his workers at risk so as to line his pocket with insurance payments. The chivalrous Bus Money gets into fisticuffs with Tam's chauffeur, Tam Biu, who bears a grudge against the assailant. When Money catches wind of Kar-cheung's vicious plot to set fire to a squatter area to clear the path for a property development project, she moves in and watches vigilantly for signs of arson. Soon, she saves Ah-hau, Biu's girlfriend and a young victim of drug rape, from her suicidal attempt by drowning. Money pursues fragments of clues which lead her to the victim's boss, Taipan Cheung who sucks up to his master Kar-cheung by drawing his prey to her trap. Money then organises squatter residences into fire brigade to guard against arson attacks and exposes Kar-cheung's evil. Realising he has been exploited for his blind loyalty, Biu teams up with Money to dispense justice.

The Girl in the Bus

29 Sep 1965

The Girl in the Bus

Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.

Autumn

Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.

Beauty Raised from the Dead

Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.

Spring

Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor. Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow. Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start.

Daisy Miller

Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.

Family

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

You Can't Win

The true-crime story of legendary outlaw Jack Black, whose 1926 memoir became an unlikely bestseller upon its release and later inspired generations of counter-cultural writing.

The Judgment

Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.

Sable Cicada

Diaochan (aka Diau Charn and Sable Cicada), one of the Four Beauties of China, is supposed to be so stunningly lovely that the moon was shamed to hide behind clouds. Despite being the only Beauty among the four who is not a real historical figure but one conjured by storytelling imagination and embellished by public fascination, her story was nonetheless incorporated by author Luo Guangzhong into his popular and influential novel Romance of the Three Kingdoms. Her tale is one of Machiavellian intrigue, in which she schemes with her godfather Wang Yun to restore moral order to the land, sowing discord between the corrupt Minister Dong Zhuo and his adopted son Lu Bu, a man of martial and military prowess.

The Binocle

A short film based on the short story "De Binocle" by Dutch writer Louis Couperus. It tells the story of a nervous man who on one evening while going to the opera becomes the victim of his own obsessive thoughts.

The Atrocity Exhibition

A doctor in a mental research institution is driven insane by the spectacle of the horrors of the twentieth century.

Genesis

Inspired by the book of Genesis, this film tells the power struggle between two families: a clan of herders led by Jacob and another clan of hunters fronted by his brother Esau. Caught in the crossfire is their cousin, Hamor and his tribe of farmers.

Cleopatra

Planned adaptation of Cleopatra: A Life by Stacy Schiff.

Such A Girl Like Me

'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.

Human Relationships

Top Billed Cast

Similar movies

The Natural Son

Pola X

Fortress

Little Women

The Wall

The Witty Bus Girl

The Girl in the Bus

Autumn

Beauty Raised from the Dead

Spring

Daisy Miller

Family

You Can't Win

The Judgment

Sable Cicada

The Binocle

The Atrocity Exhibition

Genesis

Cleopatra

Such A Girl Like Me