Raal
A young man and his dog encounter a sinister force while on a walk through the woods.
A young man and his dog encounter a sinister force while on a walk through the woods.
The main morality is the chronic desire for rest Within the historians, filmmakers, astronomers and the bread Which once was dough front to back Relationship stops along the way You are not a wax-work in a glass Become the concept of freedom Freedom exists and must bring fruit The universe glancing for purchase reasoned
Veteran catcher Crash Davis is brought to the minor league Durham Bulls to help their up and coming pitching prospect, "Nuke" Laloosh. Their relationship gets off to a rocky start and is further complicated when baseball groupie Annie Savoy sets her sights on the two men.
A meek office worker finds himself flung into a fantasy world as a naked muscleman. An early version of the Den character, known from the comic magazine Heavy Metal and the movie by the same name.
A group of Staten Island radicals lead by ex-philosophy student Marie and her boozy filmmaker boyfriend Nick attempt to kidnap the CEO of the Leo Corporation but instead accidentally capture Daniel, a nutty small time accountant. With Daniel in custody at their commune, several of the radicals attempt to 'revolutionize the bedroom', an endeavor further complicated by a surprise visit from Marie's tough boy ex-lover Junior.
Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.
As the filmmaker pursues a creative career, she goes looking for others in similar positions to explore what her decision entails. Mixing experimental art and documentary film, the work explores the real and imaginary boundaries of creativity.
A story of diaspora. The film criticises the myth of Swiss neutrality, which violently masks structural, systemic, and social passivity.
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
Steadily reading while/becomes treading into murky waters.
On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
For a young boy, ordinary facts and things of daily life seem to have great importance.
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad
This film is composed of three sections created to accompany a piece of music (by Barbara Feldman) on a Homeric poem.
Considered to be artist Martin Blaszko's only incursion into film. Through the experimentation with various film techniques, the artist speaks of the laws of geometry which are an important part of his work, and other obsessions of his, such as, bipolarity, the monumental, and the city as a source of aesthetic emotion.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.
Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
Pooja Mathew, a spirited young girl, wants to have a love marriage in her life. Thus, she stops at nothing to impress Giri, who saved her once from a group of unruly men.