Amadeus
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
The Summer Night Concert was performed this year on September 18th 2020. It is an annual open-air event, which has been held since 2008. The previous series was the "Concert for Europe", which took place from 2004 until 2007. Thanks to it's UNESCO World Heritage setting in the Baroque park of Schönbrunn with the palace as a backdrop, the Summer Night Concert adds great visual charm to it's superb musical quality. This event is classical music at it's very best. Millions of viewers and listeners in more than 80 countries can follow the concert online, on TV and radio. The Vienna Philharmonic's 2020 Summer Night Concert took place in unusual circumstances. After the coronavirus pandemic resulted in the longest enforced break in the orchestra's history, the concert planned for May 2020 had to be postponed until September and took place for the first time with a reduced audience. The Vienna Philharmonic devoted this very special concert to the theme of love.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.
Artie Shaw and his orchestra perform four popular songs, "Alone Together", "Jeepers Creepers", "Deep Purple", and "Lady Be Good".
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
Count Basie does a little rhyming rapping before going into this Benny Goodman instrumental composition. While he's playing, plenty of couples are jitterbugging constantly until, one by one, they get tired and start to fall down on the floor.
Darta, a man from an impoverished family, is rejected by the wealthy parents of the woman he loves. Desperate, he strikes a bargain with the Monkey King, performing a dark ritual to gain wealth. However, in doing so, he accidentally curses his wife and child to a life of suffering. Rooted in Indonesian mysticism, this universal narrative explores the insatiable hunger to become something one is not and the boundaries one is willing to cross to achieve it.
On a set resembling a yacht, Roger Wolfe Kahn leads his orchestra in several popular tunes of the day. Billed and un-billed guest acts also perform. At the end, Kahn thrills his guests by piloting a biplane.
Young Stanzi who is visiting Vienna helps a young corporal and musician to become famous for his marching song "Die Deutschmeister".
Critical review of the music of the Electric Light Orchestra during the Roy Wood era. Features highlights from tracks including '10538 Overture', 'Jeff's Boogie 2', 'Queen of the Hours' and 'Ball Park Incident'. The Independent biography traces the foundations of the band through its metamorphosis from The Move in 1970 and later to the point where Roy Wood quit the group leaving Jeff Lynne to steer the band in to worldwide stardom. Narrated throughout by a team of music journalists and musicians. Also included are a bonus live set filmed in 1972 originally called Granada's Set of Six and features four of the six songs, These songs are the only known live original Roy Wood ELO tracks ever filmed. The DVD was originally released in 2005 under the title Inside the Electric Light Orchestra 1970–1973 minus the bonus live tracks.
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Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family. Filmed in CinemaScope.
The classic musical by Bernstein, Comden and Green is performed live in concert in Berlin, starring Audra McDonald, Thomas Hampson, Brent Barrett and Kim Criswell, and conducted by Simon Rattle.
A young girl falls in love with a young conductor in Vienna, and they marry. However, their marriage is threatened by a wealthy man.....
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This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.
A live TV special of Harry Nilsson performing his album of standards "A Little Touch of Schmilsson in the Night".
Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
Barcelona’s Palau de la Música Catalana, one of the world’s most beautiful concert halls, hosted Gustavo Dudamel and the Münchner Philharmoniker with an unforgettable performance of Mahler’s Symphony No. 2 “The Resurrection”. The composer emphasizes life and death in all its terrible and stunning splendour in this overwhelming opus: “There is nothing except the complete substance of my whole life”, he remarked on his all-embracing oeuvre. Gustavo Dudamel, who said it was “a privilege to conduct this work in this unique venue”, and his ensemble were celebrated with more than ten minutes of applause.
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