17 Sep 1980
The Last Metro
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
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A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
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Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
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On the forest lake the person "from nothing to do" killed a Seagull. The symbolism of this story allowed Chekhov to Express the psychologically complex "inextricably unconnected" relationships of the characters living near a beautiful lake, suffering, hoping, searching, but unable to find themselves and their place in life.The most difficult in the fate of Anton Chekhov, but also the most famous and popular play in theaters in the world. Its simplicity, unique theatricality and stage longevity attract Directors and actors who, with each new production, offer the audience to unravel the mystery of the play, in which the author presented the drama of people in the Comedy genre. Famous film Director Andrey Konchalovsky offers a new version of the play, insisting that the stage action he staged is exactly the version of "the Seagull" that Chekhov intended it to be.
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The play is based on a classic love triangle. This is a story of temptations, disappointments and bitter betrayal, like a plague, that struck three lives on a white summer night – the aristocrat Julie, her father's servant Jean and the maid Christina. This is a story about how one Midsummer night, intoxicating with the riot of nature, including human nature, can change people and make them lose their usual appearance, exposing their animal desires and passions. To turn a happy couple in love into an unhappy, high - born mistress into the slave of their lackey, driven by base passions, and what has always been called love, to turn into a Sizzling vulgar lust. What is this force that so ruthlessly reveals to us the other, animal nature of man, and can it be resisted?
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When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.
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Hamlet has the world at his feet. Young, wealthy and living a hedonistic life studying abroad. Then word reaches him that his father is dead. Returning home he finds his world is utterly changed, his certainties smashed and his home a foreign land. Struggling to understand his place in a new world order he faces a stark choice. Submit, or rage against the injustice of his new reality. Simon Godwin (The Two Gentlemen of Verona 2014) directs Paapa Essiedu as Hamlet in Shakespeare's searing tragedy. As relevant today as when it was written, Hamlet confronts each of us with the mirror of our own mortality in an imperfect world. Hamlet played in the Royal Shakespeare Theatre, Stratford-upon-Avon until throughout summer 2016.
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