20 Apr 2020
Im Reich Des Squatters
No overview found
An Afghan Village
A collage of daily life in Aq Kupruk builds from the single voice that calls the townspeople to prayer, the brisk exchange of the baazar, communal labor in the fields, and the uninhibited sports and entertainment of rural Afghans. The theme of the film focuses on rural society. The film and accompaning instructor notes explore concepts of development, modernization, environmental equilibrium, and especially change, identifying change agents, and analyzing barries and stimulants to change.
Top Billed Cast
Similar movies
Im Reich Des Squatters Im Reich Des Squatters Divine Horsemen: The Living Gods of Haiti 
Divine Horsemen: The Living Gods of Haiti 20 Mar 1993
Divine Horsemen: The Living Gods of Haiti
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
The Bounty Hunter of Mongolia 
The Bounty Hunter of Mongolia 30 Oct 2021
The Bounty Hunter of Mongolia
In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.
Attiuk 
Attiuk 19 Jul 1963
Attiuk
The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.
Moana 
Moana 07 Jan 1926
Moana
Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”
Los Toques del Tambor Afro Montevideano Los Toques del Tambor Afro Montevideano Los Toques del Tambor Afro Montevideano
No overview found
Forest of Bliss 
Forest of Bliss 12 Mar 1986
Forest of Bliss
Forest of Bliss is an unsparing yet redemptive account of the inevitable griefs, religious passions and frequent happinesses that punctuate daily life in Benares, India's most holy city. The film unfolds from one sunrise to the next without commentary, subtitles or dialogue. It is an attempt to give the viewer a wholly authentic, though greatly magnified and concentrated, sense of participation in the experiences examined by the film.
The Nuer 
The Nuer 01 Dec 1970
The Nuer
Portrays the Nuer, Nilotic herdsmen of the Nile basin. Shows how their daily lives revolve about their cattle, and depicts the psychological bonds between them. Includes extensive use of Nuer music and poetry.
Come Back, Sebastiana 
Come Back, Sebastiana 01 Jan 1953
Come Back, Sebastiana
The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.
Hommage à Marcel Mauss. Germaine Dieterlen 
Hommage à Marcel Mauss. Germaine Dieterlen 01 Jan 1977
Hommage à Marcel Mauss. Germaine Dieterlen
Germaine Dierterlen talks about Dogon mythology at a conference on the Bandiagara cliffs. The Songo canopy is a sacred site in Bandiagara. Its walls are covered with paintings depicting the different phases of creation. A little further on, in a cave near the village of Bongo, symposium participants are discussing the Tellem, the people who lived in the houses built into the cliffs before the arrival of the Dogon. The archaeological remains and migratory movements of these two peoples are discussed.
Ainu Puri 
Ainu Puri 14 Dec 2024
Ainu Puri
Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teaches his son Motoki about their heritage. But how can old customs be revived after centuries of suppression?
Hampi 
Hampi 07 May 1962
Hampi
A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".
The Lyrical Rongdanis 
The Lyrical Rongdanis 21 Mar 2021
The Lyrical Rongdanis
A musical documentary woven around the endangered musical culture of the Rangdani Rabhas from Manikganj, Meghalaya, North East India.
Ghostland: The View of the Ju'Hoansi 
Ghostland: The View of the Ju'Hoansi 02 Nov 2017
Ghostland: The View of the Ju'Hoansi
Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
The Bapst Brothers, Carriers The Bapst Brothers, Carriers 01 Jan 1988
The Bapst Brothers, Carriers
The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.
Dogon Drums, Elements of a Study in Rhythm 
Dogon Drums, Elements of a Study in Rhythm 01 Jan 1966
Dogon Drums, Elements of a Study in Rhythm
The young goat herders from the cliff of Bandiagara practice on the stone drums of their ancestors. An ethnomusicological film experiment describing the subtle plays of the right and left hand of Dogon drummers.
Asante Market Women 
Asante Market Women 01 Jan 1982
Asante Market Women
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
Beauty and the Beast: Two Igbo Masquerades Beauty and the Beast: Two Igbo Masquerades Beauty and the Beast: Two Igbo Masquerades
Beauty and the Beast: Comparing Two Igbo Masquerades By Herbert M. Cole
Pam Kuso Kar (Breaking Pam's Vases) 
Pam Kuso Kar (Breaking Pam's Vases) 01 Jan 1974
Pam Kuso Kar (Breaking Pam's Vases)
In February 1974, Pam Sambo Zima, the oldest of the priests of possession in Niamey, Niger, died at the age of seventy-plus years. In his backyard, the followers from the possession cult symbolically break the dead priest's ritual vases and cry for the deceased while dividing up the clothes of the divinities.
Una dança non sancta 
Una dança non sancta Una dança non sancta
No overview found