OIO
The movie focuses on creating an experimental visual storytelling and questions: 'What makes us who we are."
The movie focuses on creating an experimental visual storytelling and questions: 'What makes us who we are."
Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.
Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
Hate as a right is added to recycled images. Poetry is narrated on top of pictures that were not meant to be but, as stubborn as the poet's feeling, they exist.
Rudra has come back one morning, has return to his friend Saruar's home. He had disappeared from home leaving no cue, a year ago. Saruar first came to know about Rudra's disappearance in Rudra's mother's call. Then he had gone to Rudra's home and saw how his agitated parents and elder brother were tracing out reasons of his desertion. Rudra do not answer any of these questions of Saruar now. He become immutable and eloquent. He only replies that he is tired and cinema experience Rudra's exhaustion from this world's journey in a non-narrative way. Rudra's consciousness become aware of a bigger crisis. Rudra just express interest to go to sleep for a while.
A series of shots from six 1970s and 1980s horror films are slowed down to near-still moving images. First feature-length piece in the video art series "The Devonsville Train."
Reworked and colored images of people playing at the seashore.
Relentlessly reworking ‘real’ images, using techniques borrowed from painting and animated film, Patrick Bokanowski is an author of stature, capable of creating an insane and cataclysmic universe of unquestionable beauty.
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
A woman experiments with a Dreamachine, hoping to escape trouble. Within the light and dark of the machine, violent emotions awaken.
A film about a person who is remembering the outside world when he is trapped in restrictions during the covid-19 outbreak.
A man named Cukik trapped in a paradoxical dream about the man he is watching on his laptop. This madness was contagious even to the mysterious man in his dreams.
Experimental film by Patrick Bokanowski.
Some Things Hidden (2020) is an experiment in rhythmic succession of still images to create illusions of movement through space in an altered time. The film documents a day with the artist and his parents on a hike through active bear country, beneath the Grand Tetons in Wyoming using a hand cranked 35mm movie camera.
Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.
Memories split in the space.
"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.
Behold the struggle between light and dark, the two principles that are at the very heart of the cinematic deed. A Solar Dream takes the seventh art’s ability to generate imaginary and phantasmagorical worlds to the limit, multiplied here by Michèle Bokanowski’s enveloping music. A precious plastic and sonic gem.
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