Broadway Cinema: The Heart of Filmmaking in Nottingham
A short documentary about one of the best independent cinemas in the UK.
This video essay, featuring film scholar Leonard Leff, addresses the 1938 Alfred Hitchcock film The Lady Vanishes' British context and political underpinnings and the details and techniques that undeniably make it a 'Hitchcock picture.'
A short documentary about one of the best independent cinemas in the UK.
A documentary about the making and restoration of Alfred Hitchcock's masterpiece "Vertigo." Narrated by Roddy McDowall, with behind-the-scenes talk from Barbara Bel Geddes, Henry Bumstead, Robert A. Harris, Patricia Hitchcock, James C. Katz, Kim Novak, Peggy Robertson and Martin Scorsese. Brings fresh perspective, not just to the film and the director, but to the Fifties Hollywood as well. [Included as extra with DVD release].
When David Lynch was making his film Blue Velvet, German filmmaker Peter Braatz was also on set, shooting documentary footage with a Super 8 film camera. Now, on Blue Velvet's 30th anniversary, Braatz presents his footage, along with still photographs, as a "meditation" on Lynch's work.
Animator. Storyman. Troublemaker. At 80 years old, see how Disney Legend Floyd Norman, the first African-American animator at Disney, continues to impact animation and stir up "trouble" after the company forced him to retire at age 65.
A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.
This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed and features behind-the-scenes glimpses of current MGM productions.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
An in-depth documentary on renowned film producer James Ivory, co-founder of globally acclaimed Merchant Ivory Productions.
Hidden away at the end of Mulholland Drive, just north of Los Angeles, lies the Motion Picture & Television Fund. Its residents were once the backbone of American showbiz. The Fund gives them a home and new meaning in their old age. Still going strong in their own studio, they produce short films and pursue other creative projects. This documentary follows one such project from the first brainstorming session all the way to the premiere, revealing enduring dreams and hopes beyond the limelight — and lessons in life and love.
Promotional documentary for the MGM film "Ice Station Zebra" focusing on the career and cinematographic innovations of cameraman John Stephens.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Short documentary on the making of Henry Levin's Genghis Khan, which filmed on location in Yugoslavia. The final film's epic battle scenes are contrasted with the mundane reality of life on a film set.
A documentary on how composer Kevin MacLeod unwittingly became one of the most heard composers in the world by releasing thousands of songs for free.
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.
The history of the Yakuza Eiga at the TOEI studio is roughly outlined. Real Yakuza and also their connections to the movie business are discussed, and many important actors and directors of the genres are interviewed. Former real yakuza boss turned actor Noboru Ando, Takashi Miike, Sonny Chiba and many more get a chance to speak.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.