La double vie de Mado
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With his off-kilter sense of humor, polyglot Gaspard Proust takes a mischievous delight in undermining the human quirks in this stand-up comedy, mixing insolence with elegance. A new sensation of the french stand-up scene and an outspokenness that needs to be heard to be believed.
When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego – Dorothy Michaels – in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.
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A show, a single objective: to push the limits of fun! On the program: laughter, sharing, dancing, singing, disco balls, glitter, dreams and incredible surprises. Prepare to experience an extraordinary evening!
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Fledgling comic Benjy Stone can't believe his luck when his childhood hero, the swashbuckling matinee idol Alan Swann, gets booked to appear on the variety show he writes for. But when Swann arrives, he fails to live up to his silver screen image. Instead, he's a drunken womanizer who suffers from stage fright. Benjy is assigned to look after him before the show, and it's all he can do to keep his former idol from going completely off the rails.
More mature without being wise, as incredible as it is true, Cathy Gauthier is about to dazzle you with a third, more personal and authentic show. Between her childhood memories, which are unusual to say the least, and her enlightened view of current realities, the one who dreamed of being a “beautiful princess” has amassed her share of hilarious disillusionments. She shares them without restraint, with the energy and rhythm that make her a great comedian.
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Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.
Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get "culture" and meet "the right kind of people." Pike and his grown son and daughter soon have flirtatious French admirers; Idy rents a chateau from an impoverished aristocrat; while Pike responds to each new development with homespun wit. In the inevitable clash, will pretentiousness and sophistication or common sense triumph?