Xulia
Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.
Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.
Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.
No overview found
A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.
No overview found
Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.
In Asturias, the Duro Felguera company dismissed 232 employees in 1993. From then on, a ten-year struggle began for the workers to be reinstated. "Resistencia" is the story of a workers' struggle that ended up triumphing.
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
No overview found
No overview found
A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
No overview found
Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.
After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.
10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.
Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.
Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928. His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less than a decade. Nowadays, Fordlandia is a space suspended between times, between the 20th and 21st centuries, between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass, and masonry still remain in use while traces of indigenous life left no marks on the ground.
Can exercise sharpen the brightest minds? In this ground-breaking experiment, four world-class gamers, competing in eSports, Chess, Mahjong and Memory Games, put this to the test.