GIRLZ NIGHT
A negative free and playful sitcom is hijacked by an entity daunting a pig mask, as it tears apart the mindless glee hiding the real horrors.
Hand painted, scratched Super 8 film meditating on Puerto Rico's political status through the layering of traditional Bomba music and governmental speeches.
A negative free and playful sitcom is hijacked by an entity daunting a pig mask, as it tears apart the mindless glee hiding the real horrors.
A haiku about a window and a woman.
An exploration of the VHS medium and the subterranean trash which thrived in it. Using source material from Emmanuelle 6, this DVD-R/VHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. This is the plight of Emmanuelle.
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.
Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever.
In The Watchmen, pulsating orbs, panopticons, roadside rest stops, and subterranean labyrinths confront the scope of human consequences and the entanglement of our seeking bodies.
Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.
Several Puerto Rican Christmas tunes are performed on screen by Juan Rivera, Juan Ortiz Vargas, José Ramón Morales, and the Morgado Brothers.
One of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage (1876-1954). Based on Lesage's painting A Symbolic Composition of the Spiritual World from 1923.
"After chasing sunsets, one of life's simple joys is playing with the boys." - Kenneth Clark Loggins
A group of children camp in the yard of their grandmother's house in the outskirts of El Yunque. Plunged into a fantastic collective dream, the children get lost in El Yunque and experience the adventure of finding their way home, as they meet themselves and three magical characters who represent our cultural mix: an indian, a black freed slave, and a Spanish gentleman.
The famous fairy tale of Cinderella is adapted to our times, considering as background the present situation of Puerto Rican coffee growers. The story is set in Lares, Puerto Rico, at a time close to Christmas. Miosotis’s father has died and Ava Rice, his widow, wants to sell his family coffee farm to a foreign company, whose monopoly on the island continues to displace the country's coffee growers.
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.
When an unstable and grief-stricken young man murders the alleged killer of his best friend, he must try to conceal what he’s done from the loose-lipped guests attending his friend's vigil.
Part lyrical document, part farce, Animals Under Anaesthesia: Speculations On the Dreamlife of Beasts explores the imaginary unconscious minds of animals. Images of sex, death and the natural world are made manifest in the murky and disquieting dreams of a dog, a cat, a pig and a rabbit.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".
"My name, melancholia".
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
Three shipwreck survivors reach the shores of a deserted island used to carry out military experiments. The issue of military occupation and its consequences on the civilian population is presented in this microcosm, composed by the three characters.