18 May 1990
A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The Further Adventures of Uncle Sam
Uncle Sam has been living peacefully in the American southwest, running a gas station. But when terrorists kidnap the Statue of Liberty, Uncle Sam teams up with an eagle to go rescue her. Preserved by the Academy Film Archive in 2007.
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A Grand Day Out A Grand Day Out The Wrong Trousers 
The Wrong Trousers 17 Dec 1993
The Wrong Trousers
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
A Close Shave 
A Close Shave 07 Mar 1996
A Close Shave
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Bambi Meets Godzilla 
Bambi Meets Godzilla 10 Jul 1969
Bambi Meets Godzilla
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Mountain Music 
Mountain Music 01 Jan 1976
Mountain Music
Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.
Bowl, Garden, Theatre, Marble Game 
Bowl, Garden, Theatre, Marble Game 01 Jan 1970
Bowl, Garden, Theatre, Marble Game
An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
Whitney Commercial 
Whitney Commercial 01 Jan 1973
Whitney Commercial
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Five Film Exercises: Film 4 
Five Film Exercises: Film 4 15 May 1944
Five Film Exercises: Film 4
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
Keep Cool Keep Cool 01 Jan 1971
Keep Cool
An animation (long before there were such things) for Oscar Brown Jr’s track “But I Was Cool”, from his 1961 debut album Sin & Soul. Preserved by the Academy Film Archive in 2012.
Andrey Svislotskiy 
Andrey Svislotskiy 01 Jan 1991
Andrey Svislotskiy
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
The Hypnotist 
The Hypnotist 13 Apr 1921
The Hypnotist
After becoming hypnotised Felix decides to try hypnotism himself. After he is successful a couple of times he decides to hypnotise his wife. The plan backfires and Felix is kicked out of his house again. Preserved by the Academy Film Archive in 2010.
Why They Love Cavemen Why They Love Cavemen 02 Jul 1921
Why They Love Cavemen
An animated comedy short from the 1920s. Preserved by the Academy Film Archive in 2008.
Why Why 01 Jan 1987
Why
The story of a starving third-world infant, set to a song by Harry Chapin. Preserved by the Academy Film Archive in 2015.
Asparagus 
Asparagus 17 Mar 1979
Asparagus
A symbolic reflection on issues of female sexuality, art and identity constructs.
The Tune 
The Tune 04 Sep 1992
The Tune
Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart. Preserved by the Academy Film Archive in 2016.
Frannie's Christmas 
Frannie's Christmas 26 Mar 1993
Frannie's Christmas
As Christmas approaches, Frannie Stein learns from her snide friend Gloria Oestriger that there is no Santa Claus. Frannie's disbelieving, but her father confirms the horrible truth. Frannie enlists the help of her younger brother, Kenny, and they go to a graveyard to dig up some parts, which they assemble in the Stein basement. Soon, they've finished their creation and are ready for revenge on Gloria. Who says there's no Santa? Preserved by the Academy Film Archive in 2012.
Five Film Exercises: Film 5 
Five Film Exercises: Film 5 31 Jul 1944
Five Film Exercises: Film 5
Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.
Anijam Anijam 01 Jan 1984
Anijam
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.
Dear Janice 
Dear Janice 01 Sep 1972
Dear Janice
Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Things to Come 
Things to Come 03 Mar 1953
Things to Come
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.